![]() Since Focusrite Saffire Pro40 requires a Firewire port on the computer, I purchase a PCI Firewire card such as this one: ![]() It is an old motherboard using Asus socket 478 technology. Initially my computer did not have a Firewire port. Your Computer should have a Firewire Port This tutorial lists the actual events for installation and configuration of Focusrite Saffire Pro40 in Windows XP operating system Service Pack 3. Install Focusrite Saffire Pro40 Firewire Audio Interface If you have already installed Saffire Pro 40, you can go directly to the mix control tutorial section. First, you need to fully install Saffire Pro 40 in your computer. This is a standard procedure to prevent malfunction, damage or abnormal operation of your audio interface. The drivers are usually installed before you will be hooking Saffire Pro40 to your computer firewire port. How to get the mix control?īy default, mix control is available after complete installation of the Focusrite drivers. Take note that this tutorial can be applied to other Focusrite audio interfaces because they have similar mix control layouts and features. Look for an example below on how to resolve this:Ī.This is a tutorial on how to use and understand the Focusrite Saffire Pro 40 from a user perspective. If you encounter some issues like no headphone output or volume something is not set right on the headphone monitor output settings. There are two headphone outputs available to Saffire Pro 40. And then you switch the headphone volume to reasonable levels. It is tested to work well if you are listening to music using Windows media player or using your audio interface when watching movies, etc.Ģ.) If you are recording, you need to use the headphone and turn the main monitor volume of your audio interface to minimum (no volume output to your nearfield/reference monitor). “DAW Tracking” also works outside professional music production environment in your computer. This will provide the optimum monitoring environment for tracking and mixing. This is measured by most DAW such as in Reaper, see below:ĭAW1 and DAW2 corresponds to the master LEFT and RIGHT output of your DAW or multimedia player. Careful about setting too small buffer size in an under-powered CPU because this would result to audible pops or clicks.įor most recording applications, 11ms to 19ms latency is OK. The following are the rules for changing the buffer size and latency in Saffire MixControl:Ī.) If you are experiencing latency issues (high latency values reported by your DAW), try setting a small buffer size. Optimize Windows XP for Firewire &USB Audio Interface during RecordingĪudio Dropout and MultiTrack Recording Latency Troubleshooting Guide Windows XP/7 Audio Recording DAW Tweaks & Optimization Tips For details about optimizing PC for audio, Firewire and USB, you can refer to the following tutorials below: The settings above don’t have any problems with REAPER for both playback and recording in an optimized environment. For example, there is no latency, drop out and pops/click issues using the ASIO buffer size of 512 and driver latency of medium.īear in mind that this depends on the power of your computer hardware, the quality of your DAW and the optimization of your PC for audio. ![]() The default settings work out fine after installation. Make sure you set the correct sync source if you are connecting digital inputs.įor most of the time, you would not need to deal with these settings. Digital inputs are usually SPDIF or ADAT. This means there are no digital inputs connected to Saffire pro 40. The normal operation is to set this to internal. But if you would like to select different recording bit depths it would now be done in your DAW software.Ģ.) Sync source – digital data needs synchronization methods. By default, professional recording interface such as Saffire Pro 40 would be using 24-bits. It would be surprising that you do not see options for bit depth. Take note that recording using this sample rate would be consuming a lot of disk space. 44.1 KHz is sufficient for most audio recording applications.ĩ6 KHz is for high-fidelity recording and suitable for any high-end applications. Most recording applications for TV and film would be using 48 KHz as the sample rate. There are 4 ways you can adjust the sample rate and these are: 44.1 KHz, 48 KHz, 88.2 KHz and 96 KHz.
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